Anyway, back to Frontline. One thing I went into my viewing with was a clear awareness of my biases. I knew that I would not be able to watch and listen to Jenny McCarthy simultaneously, and as she was speaking, I couldn't keep from tweeting that she seems to have gotten her degree from Google Elementary, rather than Google U. I've read some of Ms. McCarthy's words, but hadn't previously had the pleasure of hearing them spoken complete with tone, gesture, and facial expression. Of that last, I only caught a few glimpses.
Tone matters, doesn't it? As any actor knows, the same words can be said in a million different ways with a million little subtle changes that convey a nuance of frustration, a frisson of lost patience, a soupcon of underlying indifference. And while not one single interview on the Frontline episode really surprised me, what really rang out for me were the tones of the different voices.
Jenny McCarthy was pugnacious, defensive, snarky. In terms of offering evidence, she did what I've heard of her doing before: Her evidence for anything she has to say is her son. As I've already blogged, I found Jennifer Margulis' tone to be unexpectedly dismissive and jocular about something so serious as the death of children from vaccine-preventable diseases. J.B. Handley also was pugnacious and defensive, with a blustery, windy tone that I found off-putting. Dr. Cynthia Cristofani, who led the EMS courses on how to recognized distressed infants, came across in tones of deep compassion, driven by her experience and heartfelt concern. Art Caplan, whom I've often read but never heard speak, spoke in tones of honesty and urgency that drew from me respect. I liked him a lot. Dr. Anthony Fauci's voice also resonated with a quiet, measured sincerity.
It's probably a personal aesthetic or something, or maybe a perception of wanting a salve to soothe my own reflected failings (pugnacious and snarky much?), but I harkened so much more to the compassionate, quiet, sincere, and thoughtful voices of that Frontline presentation. They captured my ear and made me listen. When the tone was angry or dismissive or blustery, they lost me. I was more beholden to these sounds than I was to what they were saying, in part because I've heard it all before. Perhaps for me (maybe for others), whom we hear, whom we listen to, is just as much a matter of aesthetics as it is a matter of what we know and understand or want to hear.
You'll notice that I have yet to mention Dr. Offit. I watched his interview. His tone aside, one thing that stood out for me was the fact that he did not answer the question about whether or not he'd made money off of the rotavirus vaccine. The answer is obvious, of course. He did. Why not just say, "Yes," and then move on to his valid point that the vaccine has saved untold numbers of lives and huge costs associated with rotavirus-related health care? His tone wasn't so important there as was the absence of an answer.
I most enjoyed the way Frontline unfolded the scientific story behind this controversy, dating it from Wakefield's retracted MMR study and carrying it through to the multiple epidemiological studies showing no link of any kind between autism and vaccines. Speaking of Wakefield, I'd never heard his voice before, and his tone and presentation were what I'd envisioned: rather slickly martyr-like, a voice that immediately engendered a profound distrust in what I heard him say. How's that for scientific? Speaking of which, I appreciated the quiet tone of the Danish scientist and even the pleasant voiceovers from the Frontline folk.
So, ultimately, the Frontline viewing--and listening--wasn't educational for me in terms of its content. God knows, if you've wandered around enough out here in the Webosphere, imbibing what this side has to say, what that side has to say, you could have scripted out those Frontline interviews with a fair amount of accuracy. But could you have gotten the tone? What I did take away from it was a tiny bit of insight into myself: I like quiet, measured, thoughtful, sincere, compassionate tones. They soothe my ear like the music of the elves. Constantly angry, ranting people put me off, and I'm far less likely to truly listen to what they have to say. How much of our "stand" on anything has to do with these seemingly peripheral elements of aesthetics and intuition trumping all manner of hard evidence?
It's questions like that that drive Spocks like me insane.

